{"id":439,"date":"2015-06-22T19:37:35","date_gmt":"2015-06-22T19:37:35","guid":{"rendered":"https:\/\/take5-music-production.com\/?page_id=439"},"modified":"2023-01-23T13:41:37","modified_gmt":"2023-01-23T13:41:37","slug":"awards","status":"publish","type":"page","link":"https:\/\/take5-music-production.com\/?page_id=439","title":{"rendered":"TAKE5 Music Production\u00a0 Annual Awards"},"content":{"rendered":"
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International Classic Music Award 2022\u00a0 –\u00a0 <\/b>CHAMBER MUSIC<\/b><\/div>\n
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International Classic Music Award 2022 – SOLO INSTRUMENT<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Grammophone Classical Music Award 2020 – Choral \"\"<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Diapason D\u2019Or de l\u2019Ann\u00e9e 2017 – Prise de son<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Take5\u00a0are first time winners of the Diapason d’Or de l’ann\u00e9e for Sound Engineering<\/div>\n
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International Classic Music Award 2016 – CONCERTOS<\/b><\/div>\n
\"unnamed\"\"ICMA<\/div>\n
Nikolai Medtner: Piano Concerto No. 3 \u2013 Alexander Scriabin: Piano Concerto
\nYevgeny Sudbin
\nBergen Philharmonic Orchestra, Andrew Litton
\nBIS Records 2088
\nhttps:\/\/www.icma-info.com\/icma-2016-the-winners-%E2%80%8E\/<\/a><\/div>\n<\/div>\n
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International Classic Music Award 2015 – <\/strong>CHAMBER MUSIC<\/strong><\/div>\n
\"1_BIS-2087_72_150\"\"ICMA<\/div>\n
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Ludwig van Beethoven: Streichtrio op. 3 \u2013 Serenade op. 8;<\/p>\n

Trio Zimmermann: Frank-Peter Zimmermann, Antoine Tamestit, Christian Polt\u00e9ra<\/p>\n

BIS 2087<\/p>\n

https:\/\/www.icma-info.com\/winners-2015\/<\/a><\/p>\n<\/div>\n<\/div>\n

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Jahrespreis der Deutschen Schallplattenkritik 2014<\/strong><\/p>\n<\/div>\n

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Beethoven: Trio op.3, Serenade op.8,<\/p>\n

Trio Zimmermann: Frank-Peter Zimmermann, Antoine Tamestit, Christian Polt\u00e9ra<\/p>\n

BIS 2087<\/p>\n

Vor sieben Jahren tat sich der brillante Geiger Frank Peter Zimmermann mit dem Weltklassebratscher Antoine Tamestit und dem Supercellisten Christian Polt\u00e9ra zum Trio zusammen, um Schubert und Mozart zu spielen. So weit, so pr\u00e4chtig. Solche Sternstunden muss man eigentlich sofort vergolden, sie sind fl\u00fcchtig. Weil die Literatur f\u00fcr diese heikle Besetzung \u00fcberschaubar ist, gab und gibt es (au\u00dfer dem Grumiaux-Trio) kaum je feste Streich-Trio-Ensembles. Das Trio Zimmermann aber blieb zusammen \u2013 oder vielmehr, es traf sich wieder und wieder, und auch dieses, ihr drittes Album, das eine Lanze bricht f\u00fcr die vernachl\u00e4ssigten fr\u00fchen Beethoventrios, ist der pure Gl\u00fccksfall. An Geistesgegenwart, Finesse, L\u00e4ssigkeit, Virtuosit\u00e4t, Perfektion und Tiefe ist das Spiel dieser drei nicht zu \u00fcberbieten. Kurzum: Noch nie gab es eine Formation, so gut wie diese. (F\u00fcr die Jury: Eleonore B\u00fcning)<\/em><\/p>\n

https:\/\/www.schallplattenkritik.de\/jahrespreise\/697-beethoven-trio-op3-serenade-op8-trio-zimmermann<\/a><\/em><\/p>\n<\/div>\n<\/div>\n

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International Classic Music Award 2014 – BEST COLLECTION<\/strong><\/div>\n
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Paul Hindemith: Violin Concerto \u2013 Violin Sonatas?Frank Peter Zimmermann, violin, Enrico Pace, piano, Paavo J\u00e4rvi, Frankfurt Radio Symphony Orchestra, Paavo J\u00e4rvi?BIS 2024A reminder of Hindemith\u2019s close affinity with the violin, this rewarding release treads fearlessly with the greatest of all works he wrote for it. Though the Violin Concerto is a piece with a distinguished discography, Frank Peter Zimmermann and Paavo J\u00e4rvi find its supercharged energy and lyricism like few other interpreters. An intelligent and fascinating sequence of the sonatas (where Enrico Pace fully matches Zimmermann\u2019s musicianship) completes this highly satisfying collection.<\/em>https:\/\/www.icma-info.com\/winners-2014\/<\/div>\n<\/div>\n
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Grammy Award Winner 2013 – Best Orchestral Performance<\/strong><\/div>\n
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Jean Sibelius: Symphonies Nos 1 & 4Minnesota Orchestra, Osmo V\u00e4nsk\u00e4<\/p>\n

BIS 1996<\/p>\n<\/div>\n<\/div>\n

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Jahrespreis der Deutschen Schallplattenkritik 2013<\/strong><\/p>\n<\/div>\n

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Paul Hindemith: Violinkonzert (1939), Sonate f\u00fcr Violine Solo op. 31,2, Sonate f\u00fcr Violine und Klavier op. 11,1, Sonate in E, Sonate in C.Frank Peter Zimmermann, Enrico Pace, RSO Frankfurt, Paavo J\u00e4rvi<\/p>\n

BIS 2024<\/p>\n

Das Violinkonzert von Paul Hindemith konnte sich bislang noch keinen festen Platz im Repertoire der Geiger erobern. Umso mehr ist es zu begr\u00fc\u00dfen, dass Frank Peter Zimmermann das Werk seit Jahren immer wieder auff\u00fchrt. Jetzt hat er es mit dem Sinfonieorchester des Hessischen Rundfunks unter Leitung von Paavo J\u00e4rvi sehr tonsch\u00f6n, tiefblickend und geigerisch h\u00f6chst souver\u00e4n eingespielt. Auch die Kopplung mit ausgew\u00e4hlten Werken aus dem Fundus der Kammermusik ist eine echte Horizonterweiterung und ein \u00fcberzeugendes Pl\u00e4doyer f\u00fcr Hindemith. So werden noch bestehende Vorurteile gegen\u00fcber seiner Musik geistreich und subtil widerlegt. (F\u00fcr die Jury: Norbert Hornig)<\/em><\/p>\n

https:\/\/www.schallplattenkritik.de\/component\/content\/article\/641-paul-hindemith-violinkonzert<\/a><\/em><\/p>\n<\/div>\n<\/div>\n

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International Classic Music Award 2013 – CONCERTOS<\/strong><\/p>\n<\/div>\n

\"BIS-SACD-1863_72_150\"\"ICMA<\/div>\n
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Dances to a Black Pipe: Copland \u2013 Brahms \u2013 Fr\u00f6st \u2013 Piazzolla \u2013 Hillborg \u2013 H\u00f6gberg<\/p>\n

Martin Fr\u00f6st, Australian Chamber Orchestra, Richard Tognetti<\/p>\n

BIS 1863<\/p>\n

In these outstanding performances the Swedish Clarinet player Martin Fr\u00f6st offers another impressive demonstration of his wide-ranging virtuosity and musical souplesse. He builds around the Copland Clarinet Concerto an unusual programme of works related to dance: Klezmer, Tango, Hungarian dances by Brahms, but also contemporary dances by Lutoslawski and Fr\u00f6st\u2019s compatriots Hillborg and H\u00f6gberg.<\/em><\/p>\n<\/div>\n<\/div>\n

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BBC Classical Music Award 2013 – CHAMBER<\/strong><\/p>\n<\/div>\n

\"1__BIS-SACD-1857_72_150\"\"BBC_music<\/div>\n
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Beethoven: String Trios, Op. 9 Nos 1-3<\/p>\n

Trio Zimmermann: Frank-Peter Zimmermann, Antoine Tamestit, Christian Polt\u00e9ra<\/p>\n

BIS 1857<\/p>\n<\/div>\n<\/div>\n

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Diapason D\u2019Or de l\u2019Ann\u00e9e 2012 – musique du chambre<\/strong><\/p>\n<\/div>\n

\"BIS-SACD-1857_72_150\"\"\"<\/div>\n

Beethoven: String Trios, Op. 9 Nos 1-3<\/p>\n

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Trio Zimmermann: Frank-Peter Zimmermann, Antoine Tamestit, Christian Polt\u00e9ra<\/p>\n

BIS 1857<\/p>\n

R\u00e9unir trois solistes exceptionnels dans l’Opus 9 beethov\u00e9nien ? L’id\u00e9e n’est pas neuve mais Zimmermann, Tamestit et Polt\u00e9ra surclassent tous leurs coll\u00e8gues par leur palette et leur fra\u00eecheur.<\/em><\/p>\n<\/div>\n<\/div>\n

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Grammis (Swedish Grammy) 2012<\/strong><\/p>\n<\/div>\n

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Anders Hillborg: King Tide (1999); Exquisite Corpse (2002); Dreaming River (1998); Eleven Gates (2005\u201306)<\/p>\n

Royal Stockholm Philharmonic Orchestra\/ Sakari Oramo [King Tide] \/ Alan Gilbert [Exquisite Corpse] \/ Esa-Pekka Salonen [Dreaming River, Eleven Gates]<\/p>\n

BIS 1406<\/p>\n<\/div>\n<\/div>\n

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Diapason D\u2019Or de l\u2019Ann\u00e9e 2011 – concerto<\/strong><\/p>\n<\/div>\n

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Max Bruch: Concerto No.1 in G minor for Violin and Orchestra, Op.26; Romance in F major, Op.85 (originally for viola and orchestra); String Quintet in A minor, Op. posth. (1918)<\/p>\n

Vadim Gluzman, violin; Bergen Philharmonic Orchestra\/ Andrew Litton; Sandis \u0160teinbergs, violin; Maxim Rysanov, viola; Ilze Klava, viola; Reinis Birznieks, cello<\/p>\n

BIS 1852<\/p>\n

\u2018Attention: exceptional talent\u2019, and Vadim Gluzman was credited for \u2018breathing new life into a certain golden age of the violin\u2026 through his lustrous violin sound, his unapologetic panache, his straightforward subtlety\u2026\u2019<\/em><\/p>\n<\/div>\n<\/div>\n

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ResMusica – Clef d\u2019or 2011<\/strong><\/p>\n<\/div>\n

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orchestra); String Quintet in A minor, Op. posth. (1918)<\/p>\n

Vadim Gluzman, violin; Bergen Philharmonic Orchestra\/ Andrew Litton; Sandis \u0160teinbergs, violin; Maxim Rysanov, viola; Ilze Klava, viola; Reinis Birznieks, cello<\/p>\n

BIS 1852<\/p>\n<\/div>\n<\/div>\n

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BBC Classical Music Award 2011 – CHORAL<\/strong><\/p>\n<\/div>\n

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Johan Sebastian Bach: Motets BWV 225-230 ?Bach Collegium Japan, Masaaki Suzuki?BIS 1841<\/p>\n<\/div>\n<\/div>\n

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Diapason D\u2019Or de l\u2019Ann\u00e9e 2011<\/strong><\/p>\n<\/div>\n

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Jean Sibelius: The Tempest, Op.109, The Bard, Op.64, Tapiola, Op.112<\/p>\n

Lahti Symphony Orchestra, Okko Kamu<\/p>\n

BIS 1945<\/p>\n<\/div>\n<\/div>\n

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Jahrespreis der Deutschen Schallplattenkritik 2010<\/strong><\/p>\n<\/div>\n

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Johan Sebastian Bach: Motets BWV 225-230 ?Bach Collegium Japan, Masaaki Suzuki?BIS 1841Das Bach-Collegium Japan unter seinem Leiter Masaaki Suzuki hat sich f\u00fcr Bachs Motetten viel Zeit gelassen. Erst nach der Besch\u00e4ftigung mit den Kantaten, Passionen, Oratorien und der h-moll-Messe haben sich die Profis\u00e4nger aus Tokyo der hochvirtuosen Vokalarchitektur zugewandt, die sich in Bachs Motetten exemplarisch spiegelt. Das Ergebnis ist erstaunlich. Diese Aufnahme mischt die Erkenntnisse der Musikwissenschaft mit sinnlicher Lust und anspringender Intelligenz der Textdeutung. Was die Musizierpraxis betrifft: Instrumente spielen die Vokalparts mit, bisweilen sch\u00e4len sich Solisten aus dem Gesamtchor heraus. Bei Altmeister Bach war das nicht anders. Die CD ist auch der Triumph eines Teams, denn die Japaner produzieren seit je beim schwedischen Label BIS. (F\u00fcr die Jury: Wolfram Goertz)<\/em><\/div>\n<\/div>\n
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Diapason D\u2019Or de l\u2019Ann\u00e9e 2010<\/strong><\/p>\n<\/div>\n

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Johan Sebastian Bach: Motets BWV 225-230 ?Bach Collegium Japan, Masaaki Suzuki?BIS 1841<\/p>\n<\/div>\n<\/div>\n

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BBC Music Magazine Award 2010 – Technical Excellence Award<\/strong><\/p>\n<\/div>\n

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Mendelssohn: Symphony No.2 “Lobgesang”<\/p>\n

Bergen Philharmonic Orchestra\/ Andrew Litton; Judith Howarth (Sop); Jennifer Larmore (Mezzo); Christoph Pr\u00e9gardien (Tenor); Mixed Choir (Bergen Phil Choir, Danish Radio Choir, Norwegian Soloist Choir)<\/p>\n

BIS 1704<\/p>\n

\u2018Turn it up a bit and you\u2019ll feel the living room walls melt away, and you\u2019re there in the Grieg Hall\u2019s acoustic experiencing a realistic concert hall balance and a proper live sense of occasion.\u2019<\/em><\/p>\n<\/div>\n<\/div>\n

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Grammophone Award 2009 – Orchestral Category<\/strong><\/p>\n<\/div>\n

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Ludwig van Beethoven: Symphony No.2 in D major, Op.36 and No.7 in A major, Op.92<\/p>\n

Minnesota Orchestra, Osmo V\u00e4nsk\u00e4<\/p>\n

BIS 1816<\/p>\n<\/div>\n<\/div>\n

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MIDEM Classical Award 2009<\/strong><\/p>\n<\/div>\n

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Ludwig van Beethoven Works for Piano and Orchestra: Piano Concerto in E flat major, WoO4 (orchestral score reconstructed by Ronald Brautigam); Rondo in B flat major, WoO6; Piano Concerto No.2 in B flat major, Op.19<\/p>\n

Ronald Brautigam, piano; Norrk\u00f6ping Symphony Orchestra\/ Andrew Parrott<\/p>\n

BIS 1792<\/p>\n<\/div>\n<\/div>\n

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Diapason D\u2019Or de l\u2019Ann\u00e9e 2009<\/strong><\/p>\n<\/div>\n

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Heitor Villa-Lobos: Choros 5 (pno), 7 (septet), 11 (pno + orch)<\/p>\n

Cristina Ortiz, piano; S\u00e3o Paulo Symphony Orchestra (OSESP)\/ John Neschling<\/p>\n

BIS 1440<\/p>\n<\/div>\n<\/div>\n

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Diapason D\u2019Or de l\u2019Ann\u00e9e 2008<\/strong><\/p>\n<\/div>\n

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Johann Sebastian Bach: Mass in B minor, BWV 232<\/p>\n

Bach Collegium Japan\/ Masaaki Suzuki; Carolyn Sampson, soprano I; Rachel Nicholls, soprano II; Robin Blaze, alto; Gerd T\u00fcrk, tenor; Peter Kooij bass<\/p>\n

BIS 1701,02<\/p>\n<\/div>\n<\/div>\n

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Spelmannprisen (Norwegian Grammy) 2008<\/strong><\/p>\n<\/div>\n

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Sergei Prokofiev: Romeo and Juliet: Suite No.1, Op.64bis (1936); Suite No.2, Op.64ter (1936); Suite No.3, Op.101 (1946) \u2013 performed in the order the music appears in the ballet score<\/p>\n

Bergen Philharmonic Orchestra\/ Andrew Litton<\/p>\n

BIS 1301<\/p>\n<\/div>\n<\/div>\n

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MIDEM Classical Award 2006<\/strong><\/p>\n<\/div>\n

\"Pasted\"Midem_Classical_Award<\/div>\n
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Nordic Spell – flute concertos by Aho, Haukur, Lindberg Kalevi Aho: Concerto for Flute and Orchestra (2002); Haukur T\u00f3masson: Flute Concerto No.2 (2001); Christian Lindberg: The World of Montuagretta (concerto for flute and chamber orchestra, 2001-2002)<\/p>\n

Sharon Bezaly, flute; Lahti Symphony Orchestra\/ Osmo V\u00e4nsk\u00e4; Iceland Symphony Orchestra\/ Bernhar?ur Wilkinson; Swedish Chamber Orchestra\/ Christian Lindberg<\/p>\n

BIS 1499<\/p>\n<\/div>\n<\/div>\n

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Classical Internet Award 2005 – Keyboard<\/strong><\/p>\n<\/div>\n

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Domenico Scarlatti: Piano Sonatas. Sonata in B flat major, K545; Sonata in F minor, K466; Sonata in F minor, K365; Sonata in D major, K435; Sonata in B minor, K87; Sonata in C major, K487; Sonata in F sharp minor, K448; Sonata in D major, K492; Sonata in G minor, K30; Sonata in G major, K455; Sonata in G minor; Sonata in E major, K20; Sonata in A major, K429; Sonata in G minor, K426; Sonata in G major, K427; Sonata in B minor, K197; Sonata in B minor, K27; Sonata in A major, K24<\/p>\n

Yevgeny Sudbin, piano<\/p>\n

BIS 1508<\/p>\n<\/div>\n<\/div>\n

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BBC Radio 3 – Chritics Choice 2005<\/strong><\/p>\n<\/div>\n

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Sergei Rachmaninov: Variations on a theme of Chopin, Op.22; Song Transcriptions \u2013 \u2018Lilacs\u2019, Op.21 No.5 and \u2018Daisies\u2019, Op.38 No.3; Piano Sonata No.2, Op.36. Fritz Kreisler, transcribed by Sergei Rachmaninov: Liebesleid; Liebesfreud<\/p>\n

Yevgeny Sudbin, piano<\/p>\n

BIS 1518<\/p>\n<\/div>\n<\/div>\n

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CD Compact – Contemporary CD of the year 2005<\/strong><\/p>\n<\/div>\n

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Peteris Vasks: Violin Concerto \u2018Distant Light\u2019 (1996\/97); Musica dolorosa (1983); Viatore (2001)<\/p>\n

Swedish Chamber Orchestra; Katarina Andreasson, solo violin and leader<\/p>\n

BIS 1150<\/p>\n<\/div>\n<\/div>\n

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Diapason D\u2019Or de l\u2019Ann\u00e9e 2004<\/strong><\/p>\n<\/div>\n

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Max Reger: Romance for Viola and Piano (1901); Three Suites for Solo Viola, Op.131d; Sonata in B flat major for Viola and PianoNobuko Imai, viola and Ronald Brautigam, piano<\/p>\n

BIS 1211<\/p>\n<\/div>\n<\/div>\n

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Cannes Classical Award 2004<\/strong><\/p>\n<\/div>\n

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Joseph Haydn: Keyboard Sonatas, Volume 7 – Esterh\u00e1zy Sonatas [II] (No.39 in D major, Hob. XVI\/24; No.40 in E flat major, Hob. XVI\/25; No.41 in A major, Hob. XVI\/26); Sonata No.33 in C minor, Hob. XVI\/20.Ronald Brautigam, fortepiano<\/p>\n

BIS 1163<\/p>\n<\/div>\n<\/div>\n

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The Grieg Society of Great Britain – Record of the Year Award 2004 <\/strong><\/p>\n<\/div>\n

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Edvard Grieg and Bj\u00f6rnson: Sigurd Jorsalfar, incidental music for baritone, male choir and orchestra, Op.22; Landkjenning, Op.31, for baritone, male choir and orchestra; Bergliot, Op.42, melodrama for declamation and orchestra; S\u00f8rgemarsj over Rikard Nordraak, EG117 (arranged by Johan Halvorsen) for orchestra; Den Bergtekne, Op.32, for baritone and orchestraH\u00e5kan Hageg\u00e5rd, baritone; G\u00f8rild Mauseth, narrator; Male-voice choir from the Bergen Philharmonic Choir, Seim Songkor and Kor Vest; Bergen Philharmonic Orchestra\/ Ole Kristian Ruud<\/p>\n

BIS 1391<\/p>\n<\/div>\n<\/div>\n

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Grammis Sweden 2004<\/strong><\/p>\n<\/div>\n

\"Pasted\"Grammis4\"<\/div>\n
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Wolfgang Amadeus Mozart: Concerto in A major for Clarinet and Orchestra, KV622 (1791); Clarinet Quintet in A major, KV581 (1789)Martin Fr\u00f6st, basset clarinet\/clarinet; Amsterdam Sinfonietta\/ Peter Oundjian; Vertavo String Quartet<\/p>\n

BIS 1263<\/p>\n<\/div>\n<\/div>\n

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L<\/strong>e Monde de la Musique – Choc de l’Ann\u00e9e 2004<\/strong><\/p>\n<\/div>\n

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Johann Sebastian Bach, Cantatas Vol. 24, \u2018Liebster Gott, wenn werd ich sterben\u2019, BWV 8 (plus opening chorus of second version); \u2018Allein zu dir, Herr Jesu Christ\u2019, BWV 33; \u2018Herr Jesu Christ, du h\u00f6chstes Gut\u2019, BWV 113Bach Collegium Japan\/ Masaaki Suzuki; Yukari Nonoshita, soprano; Robin Blaze, counter-tenor; Gerd T\u00fcrk, tenor; Peter Kooij, bass<\/p>\n

BIS 1351<\/p>\n<\/div>\n<\/div>\n

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5th Annual Latin GRAMMY\u00ae Awards 2004<\/strong><\/p>\n<\/div>\n

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Georges Bizet: L\u2019arl\u00e9sienne, Suites No.1 & No.2. Georges Bizet\/Jos\u00e9 Serebrier: CarmenSymphonyOrquestra Simf\u00f2nica de Barcelona i Nacional de Catalunya\/ Jos\u00e9 Serebrier<\/p>\n

BIS 1305<\/p>\n<\/div>\n<\/div>\n

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Cannes Classical Award 2003 <\/strong><\/div>\n
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\"10__Pasted-Graphic-21\"Aperitif – Charles Gounod: Concertino for Flute and Small Orchestra. Fran\u00e7ois Devienne: Concerto No.7 in E minor for Flute and Orchestra (c.1787). Camille Saint-Sa\u00ebns: Romance in D flat major for flute and orchestra, Op.37 (1871); Airs de ballet d\u2019Ascanio: Adagio & Variation (1890) for flute and orchestra; A) Tarentelle in A minor for flute, clarinet and orchestra, Op.6 (1857); Odelette in D major for flute and orchestra, Op.162 (1920). Gabriel Faur\u00e9: Fantaisie for flute and chamber orchestra, Op.79 (1898).<\/p>\n<\/div>\n

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Sharon Bezaly, flute; Tapiola Sinfonietta\/ Jean-Jacques Kantorow; A) Harri M\u00e4ki, clarinetBIS 1359<\/p>\n<\/div>\n<\/div>\n

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Cannes Classical Award 2003<\/strong><\/p>\n<\/div>\n

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From A to Z, Volume 2. Fulvio Caldini: Thelema\u2019s Hot Machine, Op.33 (1986). Sven-Erik B\u00e4ck: Sonata for Flute solo (1949). Elliott Carter: Scrivo in vento (1991). Joseph Bodin de Boismortier: Premi\u00e8re Suite in E minor, Op.35 (1731). Yehezkel Braun: Sonata for Flute (1955\/87). Gloria Coates: Reaching for the Moon for flute solo (1987\/88). Leonhard von Call: Fantasia I, Op.6 No.1, for flute solo. Daniel B\u00f6rtz: Tinted Drawings for flute solo (2001)Sharon Bezaly, flute<\/p>\n

BIS 1259<\/p>\n<\/div>\n<\/div>\n

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Diapason D\u2019Or de l\u2019Ann\u00e9e 2003<\/strong><\/p>\n<\/div>\n

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J.S. Bach: Cantatas, Volume 22. O Ewigkeit, du Donnerwort, BWV 20; Christ unser Herr zum Jordan kam, BWV 7; Was frag ich nach der Welt, BWV 94Soloists (Yukari Nonoshita, Robin Blaze, Jan Kobow, Peter Kooij); Bach Collegium Japan\/ Masaaki SuzukiBIS 1321<\/p>\n<\/div>\n<\/div>\n

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The Grieg Society of Great Britain – Record of the Year Award 2003 <\/strong><\/p>\n<\/div>\n

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Edvard Grieg: Norwegian Dances, Op.35 (1881); Symphonic Dances, Op.64 (1896\/1898); Lyric Suite, Op.54 (1889-1891)<\/p>\n

Bergen Philharmonic Orchestra\/ Ole Kristian RuudBIS 1291<\/p>\n<\/div>\n<\/div>\n

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Cannes Classical Award 2003<\/strong><\/p>\n<\/div>\n

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Karl Weigl: Symphony No.5, \u2018Apocalyptic Symphony\u2019 (1945); Phantastisches Intermezzo for orchestra, Op.18 (1921). Rundfunk-Sinfonieorchester Berlin\/ Thomas SanderlingBIS 1077<\/p>\n<\/div>\n<\/div>\n

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Prelude Classical Awards 2003 – Sacred Baroque Music<\/strong><\/p>\n<\/div>\n

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Johann Sebastian Bach, Cantatas Vol. XVIII: Cantata No.66, \u2018Erfreut euch, ihr Herzen\u2019, BWV66; Cantata No.134, \u2018Ein Herz, das seinen Jesum lebend wei\u00df\u2019, BWV134; Cantata No.67, \u2018Halt im Ged\u00e4chtnis Jesum Christ\u2019, BWV67Bach Collegium Japan\/ Masaaki Suzuki; Robin Blaze, counter-tenor; Makoto Sakurada, tenor; Peter Kooij, bass<\/p>\n

BIS 1251<\/p>\n<\/div>\n<\/div>\n

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Icelandic Music Awards 2003 – Classical recording of the Year<\/strong><\/p>\n<\/div>\n

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J\u00f3n Leifs: Baldr, Op.34 (1943-1947) (Choreographic Drama in Two Acts)Gunnar Gudbj\u00f6rnsson, tenor (\u00d3din); Schola Cantorum, chorus-master: H\u00f6rdur \u00c1skelsson; Iceland Symphony Orchestra\/ Kari Kropsu<\/p>\n

BIS 1230,31<\/p>\n<\/div>\n<\/div>\n

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Spelmannprisen (Norwegian Grammy) 2003 <\/strong><\/p>\n<\/div>\n

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OPEN. Iannis Xenakis: Rebonds for percussion solo (1987-89). Hans-Kristian Kjos S\u00f8rensen: Open I, II and III (improvisations). \u00c5se Hedstr\u00f8m: Flow for marimba (1990). John Cage: The Wonderful Widow of Eighteen Springs for voice and piano (1942); A Flower for voice and piano (1950). Franco Donatoni: Omar, due pezzi per vibrafono (1985). Rolf Wallin: Stonewave (1990), version for solo percussion.Hans-Kristian Kjos S\u00f8rensen, percussion and voice<\/p>\n

BIS 1219<\/p>\n<\/div>\n<\/div>\n

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MusicWeb International – Recording of the Year 2003<\/strong><\/p>\n<\/div>\n

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Kalevi Aho: Symphony No.3 (Sinfonia concertante) for violin and orchestra (1971\/73); Modest Mussorgsky, orchestrated by Kalevi Aho: B) Songs and Dances of Death for bass and orchestra (1875\/77; 1984)<\/p>\n

Lahti Symphony Orchestra\/ Osmo V\u00e4nsk\u00e4; A) Jaakko Kuusisto, violin; B) Matti Salminen, bassBIS 1186<\/p>\n<\/div>\n<\/div>\n

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Classic Music Web – Recording of the Year 2003<\/strong><\/p>\n<\/div>\n

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Erv\u00edn Schulhoff: Suite dansante en jazz, WV98 (1931); Piano Sonata No.1, WV69 (1924); Cinq \u00e9tudes de jazz, WV81 (1926); Second Suite for piano, WV 71 (1924); Elf Inventionen, WV57 (1921); Hot Music: Zehn synkopierte Et\u00fcden, WV92 (1928)<\/p>\n

Kathryn Stott, pianoBIS 1249<\/p>\n<\/div>\n<\/div>\n

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Classic Music Web – Recording of the Year 2002<\/strong><\/p>\n<\/div>\n

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J.S. Bach (transcribed by Richard Gwilt): Trio Sonatas for Organ: No.1 in F major (BWV525); No.2 in C minor (BWV526); No.3 in D minor (BWV527); No.4 in E minor (BWV528); No.5 in C major (BWV529); No.6 in G major (BWV530)<\/p>\n

London BaroqueBIS 1345<\/p>\n<\/div>\n<\/div>\n

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MusicWeb International – Recording of the Year 2002<\/strong><\/p>\n<\/div>\n

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  1. S. Bach: St. John Passion, BWV245 (Version IV, 1749); St. Matthew Passion, BWV244<\/li>\n<\/ol>\n

    Bach Collegium Japan\/ Masaaki Suzuki<\/p>\n

    BIS 1342,44<\/p>\n<\/div>\n<\/div>\n

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    Cannes Classical Award 2001 – Orchestral 20th Century<\/strong><\/p>\n<\/div>\n

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    Alb\u00e9ric Magnard, Symphony No.2 in E major, Op.6; Symphony No.4 in C sharp minor, Op.21<\/p>\n

    Malm\u00f6 Symphony Orchestra\/ Thomas SanderlingBIS 928<\/p>\n<\/div>\n<\/div>\n

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    Sunday Times – Record of the Year 2001<\/strong><\/p>\n<\/div>\n

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    Johann Sebastian Bach: Brandenburg Concertos, BWV 1046-1051 (including early version of Concerto No.5, first movement). Bach Collegium Japan\/ Masaaki Suzuki<\/p>\n

    BIS 1151,52<\/p>\n<\/div>\n<\/div>\n

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    Cannes Classical Award 1998<\/strong><\/p>\n<\/div>\n

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    Jon Leifs: Geysir, Op.51 (1961), Trilogia piccola, Op.1, Trois peintures abstraites, Op.44 (1955), Icelandic Folk Dances, Op.11 (1929\/31), Overture to ‘Loftr’, Op.10 (1927), Consolation, Intermezzo for string orchestra, Op.66 (1968)Iceland Symphony Orchestra, Osmo V\u00e4nsk\u00e4<\/p>\n

    BIS 830<\/p>\n<\/div>\n<\/div>\n

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    Cannes Classical Award 1997<\/strong><\/p>\n<\/div>\n

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    Jean Sibelius: The Wood-NymphLasse P\u00f6ysti, Lahti Symphony Orchestra, Osmo V\u00e4nsk\u00e4<\/p>\n

    BIS 815<\/p>\n<\/div>\n<\/div>\n

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    Cannes Classical Award 1997<\/strong><\/p>\n<\/div>\n

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    Vagn Holmboe – Symphonies No.11, 12 & 13Aarhus Symphony Orchestra, Owain Arwel Hughes<\/p>\n

    BIS 728<\/p>\n<\/div>\n<\/div>\n

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    Grammophone Award 1996 – Category Best Engineering Award<\/strong><\/p>\n<\/div>\n

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    Jean Sibelius: Symphony No.5Lahti Symphony Orchestra, Osmo V\u00e4nsk\u00e4<\/p>\n

    BIS 800<\/p>\n<\/div>\n<\/div>\n

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    Cannes Classical Award 1996<\/strong><\/p>\n<\/div>\n

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    Jean Sibelius: Symphony No.5Lahti Symphony Orchestra, Osmo V\u00e4nsk\u00e4<\/p>\n

    BIS 800<\/p>\n<\/div>\n<\/div>\n

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    Cannes Classical Award 1995<\/strong><\/p>\n<\/div>\n

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    Jon Leifs: Mors et vita. Quartetto I, Op.21 (1939), Vita et mors. Quartetto II, Op.36 (1948-51), El Greco. Quartetto III, Op.64 (1965)The Yggdrasil Quartet<\/p>\n

    BIS 691<\/p>\n<\/div>\n<\/div>\n

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    Cannes Classical Award 1994<\/strong><\/p>\n<\/div>\n

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    Dmitri Shostakovich: Cello Concertos Nos.1 & 2Torleif Thed\u00e9en, cello, Malm\u00f6 SymfoniOrkester, James DePreist<\/p>\n

    BIS 626<\/p>\n<\/div>\n<\/div>\n<\/div>\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

    International Classic Music Award 2022\u00a0 –\u00a0 CHAMBER MUSIC International Classic Music Award 2022 – SOLO INSTRUMENT Grammophone Classical Music Award 2020 – Choral Diapason D\u2019Or de l\u2019Ann\u00e9e 2017 – Prise de son Take5\u00a0are first time winners of the Diapason d’Or de l’ann\u00e9e for Sound Engineering International Classic Music Award 2016 – CONCERTOS Nikolai Medtner: Piano […]<\/p>\n","protected":false},"author":7,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-439","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/take5-music-production.com\/index.php?rest_route=\/wp\/v2\/pages\/439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/take5-music-production.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/take5-music-production.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/take5-music-production.com\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/take5-music-production.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=439"}],"version-history":[{"count":89,"href":"https:\/\/take5-music-production.com\/index.php?rest_route=\/wp\/v2\/pages\/439\/revisions"}],"predecessor-version":[{"id":3921,"href":"https:\/\/take5-music-production.com\/index.php?rest_route=\/wp\/v2\/pages\/439\/revisions\/3921"}],"wp:attachment":[{"href":"https:\/\/take5-music-production.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}